7 ene 2010

De Soto

Gran Canaria

"Esperando el sol"es el debut en solitario del músico, compositor y cantante grancanario Patricio de Soto. Un proyecto de pop y rock de amplio espectro donde el que fuera líder de formaciones punteras en la escena del Archipiélago canario en las últimas dos décadas como Jezhabel, El Señor X y Carne Cruda, abraza otras pautas de estilo. 'Esperando el sol' (ES3 records, 2008) es un estreno sin estridencias y sin más artificio que un labrado ejercicio creativo por parte de un compositor de raices rock, que tras años de carretera ha encontrado su justo lugar en el lado amable de la música. Un trabajo de diez cortes con la cuidada producción de Manolo Guerra, grabado en la Sala Duke's y en Wasss Studio en Gran Canaria, y masterizado por Aitor Carrasquedo en Estudios Aeroson, en Guipúzcoa, con el que De Soto amplia horizontes con un discurso sereno y entroncado con su realidad como músico.

De Soto’s Esperando el Sol is the solo project of Patricio De soto, a musician, singer, songwritter from Gran Canaria. This is project with a wide range of pop and rock sounds where, the former leader of first line bands from the Canaries –such as Jezhabel, Señor X and Carne Cruda- embraces other kind of styles. Esperando el sol (ES3 Records, 2008) is his first release without stridencies, a record where there’s just a worked creative excersice from a songwriter with rock roots who, after years of road, has found his place in the kindest side of music. A cd with 10 songs featuring the caring production of Manolo Guerra, recorded at Duke’s and Wasss Studios, in Gran Canaria, and masterized by Aitor Carrasquedo at Estudios Aeroson, Gipúzcoa. With this album, De Soto extends his musical horizons with a serene and focused speech, directly linked to his reality as a musician. His work has aquired a panoramic dimension which never had in the past. De Soto is a nowadays lecture of pop and rock, where the artist from Gran Canaria shows his naked emotions, re-addressing the verbal rage for which he is known, and lending his voice to a collection of songs which look for the audience complicity

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